Known for his depictions of graphic violence and depravity, Cleon Peterson’s dystopian rips the lid off accepted social decorum to unleash aggression and other pent-up impulses. With his latest exhibit at Joshua Liner Gallery titled White Flag, Cleon continues upon his exploration of the tension between the conscious ego and and repressed ‘shadow’ thereby forcing us to decide where our sympathies lie.
Here Cleon chats about his current show, life long struggles, and Kurt Vonnegut.
White Flag suggests a surrender is at play in your latest works. Who’s surrendering and what can viewers expect to see in your current show?
Its a generalized surrender to the idea that there will be no resolution or end.
Stephanie
Art Enthusiast & Collector. Online Contributor for Hi-Fructose Magazine. Founder of Platinum Cheese.












